Perhaps the most surprising part of the work is the use of illustration. Max Guther applies his hyperreal isometric style to images of families and friends in domestic settings, as Gush’s products are designed to work in the home. It’s very Sims, as you might expect from Max, but the style provides a surreal edge to the idea of homely bliss.
Piotr Woronkowicz has helped Pentagram reinvent the paint can. Rather than using round metal containers which waste space when shipped on pallets, Gush’s packaging is made of moulded paper – a first for paint trays in the US. The paint is housed in a biodegradable acetate plastic bag.
Gush CEO Lester Leong says: “Our vision for Gush’s brand identity was clear from the start – to meld our deep respect for the environment with a sleek, modern design. What I personally love about our new identity is its understated elegance. It speaks volumes about our values without saying a word.”
