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The competitive market for Anish Kapoor’s prints is reflective of his status as a leading figure in contemporary art, but also the universal appeal of his bold, colourful, and thought-provoking art. Collections of prints typically sell for within the region of £15,000 and £30,000; with his most popular print series achieving the top end of this estimate.
Kapoor’s most iconic imagery, such as his void-like forms and saturated colour fields, are favourites among collectors and regularly meet or exceed their high estimates when sold at auction. For instance, prints from his Shadow III (2009) series, which explore the interplay of light and dark, have consistently achieved strong prices. A portfolio of nine etchings from this series sold for £33,476 at Artcurial Paris in 2017, setting a new record for Kapoor print sale value. In 2011, another full set of Shadow III sold for £32,000, while a set of nine Shadow (2007) etchings, with vertically arranged colourful gradients, sold for £30,000. A portfolio of Shadow II (2008), nine compositions featuring colourful gradients that radiate out from the centre, sold for £24,000 in 2012.
Another highly sought-after series is Fold (2014), a set of eight etchings that investigate form and space through abstract, folded shapes. An individual print from this series, Fold I (2014), sold for £30,000 in 2018. The appeal of this piece comes from its three-dimensional structure; its central fold bridges the gap between Kapoor’s printmaking and famous sculptural work.
Kapoor is known as a great experimenter; his print portfolio incorporates a wide range of types of prints. It is his etchings and aquatints, however, that achieve the highest prices. Creating the smoothness and precision of the gradients in Kapoor prints through the process of etching is particularly impressive, a factor that may contribute to their popularity.
Traditionally, artist proofs fetch the highest values; in 2019, a set of nine artist proofs of Shadow III (2009) sold in New York for £22,556. However, Kapoor kept even his standard editions particularly limited, with print runs of around 40. As a result, standard editions hold the same selling power and the difference in estimated value is minimal. Standard editions with significant numbers are more likely to appeal to collectors. For example, a full collection of Shadow III with the edition number 39/39 sold in 2011 for £32,000.
Kapoor’s most popular prints continue to be those from the early 2000s, when he began to more fully explore printmaking as a medium. However, his more recent works, which often incorporate advanced printing techniques and unconventional materials, have shown increasingly strong market performance.
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